{"id":8005,"date":"2026-04-17T15:35:05","date_gmt":"2026-04-17T15:35:05","guid":{"rendered":"https:\/\/akhbaronline.co\/hunter\/trois-albums-a-decouvrir-cette-semaine-du-violoncelle-virtuose-de-nicolas-altstaedt-au-rap-de-rue-de-la-rvfleuze\/"},"modified":"2026-04-17T15:35:10","modified_gmt":"2026-04-17T15:35:10","slug":"trois-albums-a-decouvrir-cette-semaine-du-violoncelle-virtuose-de-nicolas-altstaedt-au-rap-de-rue-de-la-rvfleuze","status":"publish","type":"post","link":"https:\/\/akhbaronline.co\/hunter\/trois-albums-a-decouvrir-cette-semaine-du-violoncelle-virtuose-de-nicolas-altstaedt-au-rap-de-rue-de-la-rvfleuze\/","title":{"rendered":"Trois albums \u00e0 d\u00e9couvrir cette semaine, du violoncelle virtuose de Nicolas Altstaedt au rap de rue de La\u00a0Rvfleuze"},"content":{"rendered":"<div id=\"\">\n<ul class=\"article__unordered-list\">\n<li>\n<p><strong>Nicolas Altstaedt <\/strong><br \/><strong><em>Blackbirds<\/em> <\/strong><br \/><em>Grazyna Bacewicz\u00a0: Concerto pour violoncelle n\u00b0\u00a02. Morton Feldman\u00a0: Durations\u00a0II. Benjamin Britten\u00a0: Sonate pour violoncelle. Sandor Veress\u00a0: Sonate pour violoncelle seul. Paul McCartney\/John Lennon\u00a0: Blackbird. Nicolas Altstaedt\u00a0(violoncelle), Thomas Dunford\u00a0(luth et voix), Orchestre symphonique de la radio su\u00e9doise, Maxim Emelyanychev\u00a0(piano, direction).<\/em><\/p>\n<\/li>\n<\/ul>\n<figure class=\"article__media\"> <picture class=\"article__media\">  <\/picture><figcaption class=\"article__legend\" aria-hidden=\"true\">Pochette de l\u2019album \u00ab\u00a0Blackbirds\u00a0\u00bb, de Nicolas Alstaedt.  <span class=\"article__credit\" aria-hidden=\"true\">ALPHA CLASSICS<\/span>  <\/figcaption><\/figure>\n<p class=\"article__paragraph  \">Le principal m\u00e9rite de ce disque est de participer \u00e0 la reconnaissance tardive de Grazyna Bacewicz\u00a0(1909-1969) par une interpr\u00e9tation magistrale de son deuxi\u00e8me <em>Concerto pour violoncelle<\/em>\u00a0(1963). Le traitement du soliste, entre lyrisme et sensualit\u00e9, comme celui de l\u2019orchestre, entre tutti explosifs et suspensions intimistes, invite \u00e0 un rapprochement avec le c\u00e9l\u00e8bre <em>Tout un monde lointain\u2026<\/em>, \u00e9crit sept ans plus tard par Henri Dutilleux\u00a0(1916-2013), qui ignorait tout de la compositrice polonaise. Aussi peu soucieux d\u2019unit\u00e9 esth\u00e9tique que la partition tr\u00e8s imag\u00e9e de Grazyna Bacewicz, le programme propose ensuite trois \u0153uvres dont le seul point commun est d\u2019avoir \u00e9t\u00e9 compos\u00e9es durant les ann\u00e9es\u00a01960. Avant de s\u2019engager dans le monologue vertigineux de Sandor Veress\u00a0(<em>Sonate<\/em> <em>pour violoncelle seul<\/em>, 1967), Nicolas Alstaedt passe sans difficult\u00e9 du glacis minimaliste de Morton Feldman\u00a0(<em>Durations\u00a0II<\/em>, 1960) aux \u00e2pres circonvolutions de Benjamin Britten\u00a0(<em>Sonate pour violoncelle<\/em>, 1961), avec le concours du piano id\u00e9alement directif de Maxim Emelyanychev. Une chanson des Beatles, <em>Blackbird<\/em>, avec luth et voix du baroqueux Thomas Dunford, est cens\u00e9e donner le ton d\u2019un album qui prend pr\u00e9texte des sixties pour illustrer la polyvalence d\u2019un violoncelliste, dont la fantaisie aurait suffi \u00e0 servir d\u2019embl\u00e8me au CD. <strong>Pierre\u00a0Gervasoni <\/strong><\/p>\n<p class=\"reading-mode-only \"><strong>Il vous reste 56.6% de cet article \u00e0 lire. La suite est r\u00e9serv\u00e9e aux abonn\u00e9s.<\/strong><\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/www.lemonde.fr\/culture\/article\/2026\/04\/17\/trois-albums-a-decouvrir-cette-semaine-du-violoncelle-virtuose-de-nicolas-altstaedt-au-rap-de-rue-de-la-rvfleuze_6680894_3246.html\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolas Altstaedt Blackbirds Grazyna Bacewicz\u00a0: Concerto pour violoncelle n\u00b0\u00a02. Morton Feldman\u00a0: Durations\u00a0II. Benjamin Britten\u00a0: Sonate pour violoncelle. Sandor Veress\u00a0: Sonate pour violoncelle seul. Paul McCartney\/John Lennon\u00a0: Blackbird. Nicolas Altstaedt\u00a0(violoncelle), Thomas Dunford\u00a0(luth et voix), Orchestre symphonique de la radio su\u00e9doise, Maxim Emelyanychev\u00a0(piano, direction). Pochette de l\u2019album \u00ab\u00a0Blackbirds\u00a0\u00bb, de Nicolas Alstaedt. ALPHA CLASSICS Le principal m\u00e9rite de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8006,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-8005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites"],"_links":{"self":[{"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/posts\/8005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/comments?post=8005"}],"version-history":[{"count":1,"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/posts\/8005\/revisions"}],"predecessor-version":[{"id":8007,"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/posts\/8005\/revisions\/8007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/media\/8006"}],"wp:attachment":[{"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/media?parent=8005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/categories?post=8005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akhbaronline.co\/hunter\/wp-json\/wp\/v2\/tags?post=8005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}